Thursday, September 20, 2012


This week begins the arduous task of going through work, starting early on, photographing it, categorizing it, measuring it and putting it into a data system. My art practice is life long and I have accumulated quite a lot of flotsam and jetsom from that daily ritual. As a some time lone practitioner, I have developed whole bodies of work that have not seen the light of day in many a moon and therefore haven't been engaged in a critical, relational back and forth about their meaning. These critical discussions are essential components in an artist's development. I am looking forward to reviewing the work with the new addition to my studio, the very talented Tatiana Klacsmann, a skilled professional and begin getting back into a more robust interaction with a broader world in terms of some intimate work I have made over the past 20 years. Here is the beginning.

Jacobs Ladder, 1992, 6" x 6",
pencil and watercolor on paper, private collection 
Part of the inspiration for this project stems from a resurgence in interest in this early work. This summer, Thompson Giroux Gallery in Chatham, NY showed a selection of these drawings in the group show, The Mysteries of Love and Life. I am honored to have part of this exhibition and glad to show these pieces, some for the first time ever.

Flock of Dots Skipping Rope, 1992, 6" x 6"
pencil and watercolor on paper

Form and Line Collision, 1992, 6" x 6"
pencil and watercolor

Lyrical Line Gesture #2, 1992, 6" x 6"
watercolor and pencil on paper

Lyrical Line Drawing #3, 1992, 6" x 6"
watercolor and pencil on paper

Lyrical Line Drawing, 1992, 6" x 6"
watercolor and pencil on paper
So, there is a bit of history. Next, will be more the current work, this year, this fall and also last fall. Working with ideas being generated in my studies of philosophy. Reading Hegel and thinkers writing about Hegel. Today, Lacan.

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