This Foam Series has been occupying a lot of my mind and studio time lately. I had been calling the series Rhizomatic Foam, but as a title have decided to bench the term Rhizomatic. A little too obscure to be friendly and I am opting for friendly. I had thought this piece finished but am in new cycle of sending work around and needed to fully resolve some outstanding issues the piece still had before I felt OK about submitting it to a particular show I am interested in.
So, I pulled the piece out of the box it had been stored in for the past couple of months and first cut a piece of foamboard a few inches smaller than the drawing/sculpture. I have been covering the foam board with patterned fabric that creates an added layer under the structure of the drawing. This layer is actually a kind of pedestal, a way of asserting the piece forward slightly from behind, thrusting it out into space a bit. The fabric is patterned with dots or in this case stripes. The black and white pattern add another dimension of information, texture and zip that I like under the white paper.
The ceramic and paper-clay balls on top further articulates the objectness I am after. Instead of a drawing, the piece has been transformed into an object or a thing through the added layer of balls and the foamboard. A piece of paper, working through the identity of drawing, then painting and finally becoming sculpture brings the whole affair into new territory.
Drawing as sculpture, sculpture as contemplative moment in time and space, playing with notions of human-ness in the form of bubble, foam or balls of ceramic, paper-clay painted and hanging on the piece, engaged with symbols of nature iterate the impression of nature, standing in reserve, set aside yet participating in the totality of the object, drawing as sculpture, beautiful, mysterious, affectionate and entertaining, adding to the general dialogue about being and time.